Summers with Maria

Fraktura, Sep 2022, 176 pages
English, Spanish and French sample available

Translation rights sold: Serbia (Booka), Slovakia (E. J. Publishing)

With effortlessness reserved only for the most talented, with warmth and empathy, Savičević takes us through a century of female struggle for freedom and history, a history of our own. 

Summers with Maria takes us through five generations of women in one family, all sharing some variety of the name Maria – while our surnames are inherited from our fathers, our first names come from our mothers, explains the author in the prologue. The novel, in its non-linear, fragmented structure, spans throughout the XX century and, rather than chronicling the lives of girls and women (pun intended) in detail, it captures the heroines in crucial moments of their lives. Moments of emancipation, girlhood, freedom, heartbreak and young love, private, intimate moments often overlooked and overshadowed by the History. A Yugoslavian housewife in the sixties taking the plane for the first time to meet her husband at the other end of the world. A hardworking Dalmatian girl at the dawn of the 20th century who realizes she is pregnant. A young woman whose surname turned her into a target of nationalist rage over night, after Yugoslavia fell apart and the Croatian war for independence broke out.

History of the Eastern coast of Adriatic was a bloody one: in little under hundred years, two world wars and one war for independence ravaged this corner of Europe. With incredible narrative skill and political shrewdness, Savičević glimpses at those events, but the center-stage is reserved for solidarity, strength and antifascist values that kept the war-torn families together. Love, as she writes in one of her poems, is the only spectacle left to those who dislike war.

Last but not least, her style is impeccable: Savičević is a poet who knows how to craft a story. And nobody captures the essence of the Mediterranean like she does.

Olja Savičević Ivančević is a poet, a fact the reader is very well aware of: her use of language is skilful, economic, clear, and most importantly, seductive. Summers with
Maria is a tale of (non)belonging, comings and goings, about the corrosive effect of time on the illusions of the youth. Like a river, it flows, yet stays in place.”

Magdalena Blažević 

If this is an autofictional novel, as some critics suggest, it is then a masterclass in autofiction in the post-yugoslavian literature, skilfully borrowing novelistic
strategies without losing any of its accesibility.

Maja Abadžija | Booksa

 

“As in Savičević’ earlier works, the centre of this literary universe is the Mediterranean, which shines most in the summer. The summer is one of the key motives not only in the title, but in the overall atmosphere of the novel that the author creates, masterfully as ever. All is bursting with senses, everything you can touch, read, smell. Everything in Summers with Maria is rich and opulent, everything is “magical, soft and marvellous” even though we know well it is not and that paradox is its essence, and summers exist so we could see things clearer, more rooted in reality.”

Jagna Pogačnik | Kritika HDP-a

Meet The Author