Pilić certainly is portrayed as a witty writer, and he actually is one, but that humour of his, which is often dark, doesn’t stem from some banalities but rather from deeply contemplated and often tragic life situations. Pilić is a master of dark but not depressing stories, and he is aware that reality should not be transcribed but that it should be condensed to its best parts which should then be underlined with original, literary solutions. Add to it excellent dialogues, a fast narrative pace and skilful editing of various plot branches (especially in longer prose, such as in the excellent story Mojo) and this new book by Pilić is then best described by one of its own sentences: Improvisation, relaxation, realization – just like playing hoops. Everything is very casual, but behind all of it there is still a clear, albeit not too loud of a concept. All in all – a truly excellent book!
Jagna Pogačnik | Jutarnji list
The stories from the book There Are No Elephants in Mexico are not a sombre, defeatist melody with which we mourn all the horrors of our lives in a valley of impossibilities. On the contrary, these stories have a very strong ironic and humorous undertone able to balance out the feelings of universal failure, emptiness and being lost. This undertone also infuses into this fictional world, which has a very peculiar atmosphere, vibrancy and a need for life.
Đorđe Krajišnik | Oslobođenje
In the nine stories gathered in the book There Are No Elephants in Mexico we may not go far geographically, but we will dive into the depths of addicted, lonely and enamoured individuals through delicate introspectively connected sentences that, in a lax and common way, offer the reader exactly what he needs. A persuasive style, almost minimalistic, draws the reader into what Pilić calls in one of his stories, something like a thought that comes to you while you walk. In other words, something authentic and recognizable.
Neven Vulić | Moderna vremena